No Traffic Jams is a 3 part series based out of Aroostook County, Maine.

Homo Saurus is an ironic/satirical project that, based on the bizarre conspiracy theories about reptiles, stages an altered and dystopian world. The story is reconstructed through fictional documents that testify to the coming of the humanoid reptiles on our planet and within their home planet Nibiru.

These are my archival photos from 2015 to 2018. During the last few days I kept going back in my archive and my memory to those years - when there was an occupation of Crimea by the Russian Federation; when the war in the Eastern part of Ukraine, which was not acknowledged in time, started and continued until February 24, until now the full-scale invasion...

I live in the southern suburbs of Athens, Greece. Inhabited continuously since the ancient times, this is a place characterized by material abundance and laid-back, luxurious lifestyle. At the same time, high fences, barbed wires and surveillance cameras turn the houses into strongholds or border barricades and the streets into some kind of urban “no-man’s land”.

Photomontages of surreal cityscapes embody the disquieting experience of how our lives have been interrupted and transformed by the ravages of a global pandemic. In March, 2020, we retreated from our daily routines and into our homes for an unprecedented period. During prolonged lockdowns, we relied more than ever on the digital arena for connection, support and psychological survival.

“My recent work explores flowers in the occasions of life and death - in celebration, memory, and in mourning. Flowers are reminders and remnants, mementos of lives once lived. I create art to capture and preserve the essence of being in these moments.”

“The project is dedicated to my hated and beloved suburbs. Through a metaphysical approach, this series examines the theme of photographic obsession and the tension of everyday life.”

My last project is "Du musst dein Leben ändern.*" The series focuses on the media appearance of contemporary polarized political discourse ( especially in Hungary ) and its impact on the human psyche.

Francesco Capasso’s series of photographs taken at the Coppola village in the province of Naples

El Chorrillo is a neighbourhood in Panama City, founded in 1915 by workers and students, mostly of African descent, who found employment in the construction of the Canal. 2019 marked the 30th anniversary of the US invasion that disproportionately destroyed this neighbourhood in less than 24 hours without any international impact.

32 years have passed since the fall of the Berlin Wall. The political, ideological, and in some cases physical frontier divided not only Germany, but the entire world in two axes; one of a capitalist character and his nemesis, the communist.

Far from here, where darkness lies “(...) to reclaim perspective in a universe Where science and wisdom are no longer valued to escape talking heads who pontificate ceaselessly on screens large and small, generating more heat than enlightenment While I remain bewildered in darkness.”

Benidorm, Topography of Mass Tourism explores the architecture of mass tourism. It is an attempt at understanding how the city was entirely planned to welcome the excesses of tourism.

As photographer Max Knight recovered from a difficult period in his life, he began to see colour and humour in the everyday again as expressed in his series I Think You Dropped Something.