Submission guidelines:
BROAD is a community driven publication and we work with artists from around the world. We are always open to submissions. To submit your work, please fill out the form below and follow the instructions.
Please be sure to provide a link to a gallery/folder of the images you would like to submit. (You can copy a direct link to your files on dropbox or google drive in the appropriate field.)
We appreciate each and every submission. Please note due to the high number of submissions received we can only contact you if your submission is selected for publication.
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In this series, I explore how we create, shape, and interact with the environment around us. I am fascinated by the ways we unconsciously express ourselves through the places we inhabit and the stories that unfold, both visible and implied.
The project draws inspiration from the world of my childhood memories, where the boundaries between reality and imagination dissolve. It reflects on the experience of longing and the search for self-identity, while evoking the memory of childhood playgrounds and ritual
There is no other place in the world that has its own dream for sale. There is no Italian dream or Thai dream or Chilean dream: there is only the American dream. The whole world looks up to this specific dream.
This photographic project was born from the desire to portray a Boa Vista different from what is expected: far from prejudice, close to its essence. It is a visual narrative made of encounters, details, and suspended moments…
I was the eldest daughter in a large family. My childhood unfolded under constant responsibility, and I assumed adult roles early. I vividly recall summer days when we were not allowed outside. Instead of playing in the yard, there was heat and endless chores: helping my mother in the kitchen, cleaning, caring for younger siblings.
I Am Not Here means not being present—and not exclusively—physically. Detachment can lead to a space where the passing of time, light and night, the hours have no meaning
I’ve learned that dialogue between images has more power to subvert their collective meaning than any photograph alone. Like a visual wormhole, I use image association and sequencing to compare and contrast vastly different images
By photographing what we see, we become aware of how unaware we are of ourselves and our surrounding environment. This work explores how the world is made not only of orderly things, but also of everything else around them.
