My work explores the loss of home and the search for new forms of belonging. Raised in a family of artists, I was surrounded by objects filled with memories.

Dreaming is an organism in becoming, an exploration of the "here and now" that transforms the act of dreaming into a dimension of liberation.

In my hometown, the enduring influence of mining on the land is ever-present, from initial growth and subsequent collapse to modern invention and recent developments. Growing up in the shadow of Sutter's Mill and the legacy of the California Gold Rush, I observed how the region’s culture was profoundly shaped by mining and its aftermath.

The whispered sublimity and vivid strangeness of the ordinary emerge through evidence of wear, time, and human attempts at order.

The border towns of Cerbère and Portbou developed around the railway linking France and Spain.

This work explores the worlds and beings of the night, of the hidden. Non-humans as well.

Rather than mapping specific locations, the work constructs a climatic geography. Landscapes blur and converge into a single mental coastline shaped by exposure and instability. The Atlantic is not a backdrop, but an origin — a force that defines light, rhythm, and form.

“Vassal of the Sky” strings together moments from the cities, xiang, and villages along the shores of the East China Sea

Istanbul is a city where the past and present are inseparable. Here, unlike in other cities, its monuments from glorious periods and its grand historical landmarks have not become museums, but rather remain a functional part of daily routine.

Albutiu works with analog photography to explore deep time, the profound time of geological and ecological durations that exceed human perception