Submission guidelines:
BROAD is a community driven publication and we work with artists from around the world. We are always open to submissions. To submit your work, please fill out the form below and follow the instructions.
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Cities are like living organisms constantly evolving, endlessly reshaping themselves. For an outsider, every city is exotic; every corner holds the promise of an undiscovered narrative.
I often dream about returning to the house where my grandparents lived. I hear the rhythmic sound of the clock, feel the coolness, and finally breathe out. I’m back home.
This photographic series, Silent Beauty, is an intimate journey through unnoticed corners and silent architectures. It is the story of a curtain dancing in the breeze, of shutters that hide stories, and of walls that tell the passage of time through their textures.
This photographic project, entitled "Saltar El Cerco", originates from the personal sensations and emotions tied to my hometown (Zamora).
Snow Cows is a photographic series by Pasadena-based artist Tommy Lei that explores resilience, sanctuary, and belonging. Created at Hickory Hearth Highlands, a family-run farm sanctuary, the work centers on three Highland cows .
When every place seems already seen, framed by media, consumed by algorithms, and flattened by mass tourism. This photographic project looks elsewhere for the essence of travel. Not in iconic destinations or postcard views, but in hotel corridors, rented rooms, unfamiliar laundromats, or windows opening onto undesired landscapes.
“As I spun, my movement became unsteady, shifting from side to side, reflecting the difficulty of maintaining equilibrium in a fast-moving, chaotic world. These images capture the internal struggle to remain centered amidst an overwhelming flow of information, constant bad news, and the rapid pace of modern life…”
“That these photographs are personal, even intimate, can’t be denied. But they generalize: if you’re of a certain age or from a certain part of the country, many of them look like they’re pulled from your own life. I can see myself sitting at the table in the collection’s opening image excited by the $5 my great-grandfather always snuck into my hand when he shook it.”
