Submission guidelines:
BROAD is a community driven publication and we work with artists from around the world. We are always open to submissions. To submit your work, please fill out the form below and follow the instructions.
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‘Neither Here Nor There’ is a visual diary, a personal journey, and a recollection of thoughts that lingers on a moment of restlessness and the feeling of being endlessly s swept away by the current, drifting back and forth without ever reaching the shore.
“Empty Spain” is a term coined by Sergio del Molino in his 2019 book of the same name. The name has since entered everyday vocabulary to describe those areas of the Iberian Peninsula where population density can, in some cases, be comparable to that of Lapland.
Tomislav Marcijuš’s series titled Our Embrace Will Be Long Like the Waiting follows a personal, universal story of family and loss, and belonging.
"Beneath the Surface" is a photographic odyssey exploring the transient yet eternal dialogue between time and nature.
The area, referred to by locals as the Zone of Fear, is a stretch of land adjacent to the line of contact between Georgia and the so-called South Ossetia. Those who live there face continuous risks of kidnapping, harassment, or robbery by Russian border guards stationed in significant numbers along the line of contact.
In this intimate and layered series, I blur the lines between the inanimate and the existing, seeking alternative perspectives as gateways to connect both worlds. By questioning the visual logic of my environment, I aim to reveal unexpected renditions of it.
In Icelandic, the term “á landinu” literally means “on the land”. As a foreigner who is drawn to Iceland’s natural beauty, people and culture I sense a hidden subtext behind the term. I once heard an Icelander at the airport use it to ask if a friend had landed; were they “on the land”?
"Jasmine" is a photographic project that blends old family archives of photographs and notes with my own contemporary work. Through this visual exploration, the project delves into inherited traumas, focusing on my mother's familial history and its profound influence on my own life.
Starting from a single event, things branch out like the limbs of a tree, and the world that I perceive is constructed. Because I can only grasp the reality of the world through myself, it was necessary for me to spend time engaging with the poetry of the work I create…