Purgatory, Paradise is an ongoing photography series documenting civic and commercial architecture across the American landscape

I try not to take the world at face value, but rather try to mould it or frame it in my own way. At some point I got bored at photographing the world in a conventional way and instead made it a challenge to look for patterns, shapes and perspectives that rearrange the world

This project explores how domestic objects carry intergenerational memory, care, control, and hidden family structures within a Chinese household.

Chrysalis considers our planet Earth as a living entity, undergoing its own cycles of rest, regeneration, and transformation. The series portrays the Earth in a state of slumber, presenting nature as an active system in continuous becoming

In Livorno, there’s no sand. Actually, we call it “rena”—a word we use with contempt. We just don’t like it. Being di scoglio (from the rocks) is a mindset, a lifestyle. The rocks aren’t comfortable, yet Livornese people always seem to be

My work explores the loss of home and the search for new forms of belonging. Raised in a family of artists, I was surrounded by objects filled with memories.

Dreaming is an organism in becoming, an exploration of the "here and now" that transforms the act of dreaming into a dimension of liberation.

In my hometown, the enduring influence of mining on the land is ever-present, from initial growth and subsequent collapse to modern invention and recent developments. Growing up in the shadow of Sutter's Mill and the legacy of the California Gold Rush, I observed how the region’s culture was profoundly shaped by mining and its aftermath.

The whispered sublimity and vivid strangeness of the ordinary emerge through evidence of wear, time, and human attempts at order.

The border towns of Cerbère and Portbou developed around the railway linking France and Spain.