“hearth” is an autobiographical investigation that brings together photographs, archive images and personal documents, produced between France and Argentina in 2022 and 2023.

I spend my time searching for these understated moments. I relish in highlighting these tiny observations and see it as an act of defiance against the surf and the sand that most flock to.

Number 1 is the outcome of archival research in my paternal grandparents' photo album.

Light/Mass is an ongoing series of alien-like urban landscapes found in cities across the United States

Human contamination becomes a visible element, a background that reveals itself despite physical absence, inviting observers to reflect on our relationship with the world around us.

When I was a child, almost every weekend, I used to hike with my mom in the Carpathian Mountains. I counted the days till the next trip…

What if we knew we could find pockets of peace within this seemingly chaotic environment by slowing down, going for a walk and allowing ourselves to look beyond our own nose?

There is a complex relationship between photography, memory and truth. The image appeals to both collective and individual memory. But what happens when this memory fades away, when the contours of memories become blurry?

"Hypnotic Presence" beckons viewers to transcend familiar perception, embracing the extraordinary in the ordinary.

Platformality documents the precision and repetitive choreography of the shinkansen platform; for the ninety seconds that a train remains stationary.

German forest, a landscape of longing in poems. In March, I travelled through East Germany and felt its transience. The winter gave the fairy-tale place a peaceful illusion of harmlessness.

In the heart of human experience lies a complex mosaic of emotions, stories, and interconnectedness. 'We Live Inside a Dream' embarks on a photographic journey that delves into the intimate narratives of a family profoundly affected by the global COVID-19 pandemic.

"The Eight Immortals" is a captivating still-life photography series featuring eight distinct vegetables – lotus roots, water caltrops, seeds of Euryale ferox, arrowheads, water bamboos, water chestnuts, water shields, and water celery, originally from Suzhou, China.

Oblivion is a project that talks about present souls and lost souls. It is the search for answers on the sense of family as a whole through abstract and twisted perspectives of reality.

“This place has become our public space. Several villages are next to our community, and it is very dark at night. The riverside looks like a stage from a distance because of the streetlights and the people are like actors in a drama. The scene looks beautiful under the streetlights.”

This work uncovers the surreal and continuous presence of grief, memory and trauma in the everyday. Causing hysteria to take form. Creating space to expose and understand the waves of grief which have already drowned me.

This second instalment of the ‘Balance’ project is an extension of Valentin Fougeray’s daily research and experimentation. Situated halfway between artistic installations and dreamlike constructions, each visual invites us to lose ourselves amidst its forms and colours, evoking without necessarily representing.

“The first time I drove through eastern Arkansas I thought it was the bleakest place I’d ever been. Its bone-brown fields stretched to the horizon, its corrugated towns huddled under flat gray skies…”

"Organised Chaos" is a photographic exploration of the emotional journey of a daughter living with a mother suffering from Mild Cognitive Impairment (MCI). The photos depict the emotional toll and chaos brought about by progressive memory loss.”

This series explores a form of psycho-social anomie - a disconnect, alienation, and moral struggle experienced by those witnessing their society's endorsement of behaviors that harm the natural world and thwart human growth and flourishing.