Post-covid and post-protest youth life in Hong Kong.

“As a former interior architect, I take pictures of situations that inspires me to create, I like to focus on a relevant detail, a shadow, an opening, a shape…”

This work arises from the immense fascination that fire exerts. Fire is a living thing, in power to act: to burn, to consume, to melt, to heat, to revive.

It's a lighthearted series I've taken on 35mm film about lifestyle, habits and people seeking pleasure during summer and the more relaxed times post-covid.

“I was trapped in a depressive hedonia, which Mark Fisher described in "Capitalist Realism" as an inability to do anything other than the search for pleasure.”

“I learned how to trust my intuition and enjoy the process of documenting my natural cycle of life at a slowed-down pace.”

Thinking about how my daughter sees the world, I decided to get her suggestions for photographs. I got her input, in a sense, to achieve a naïve freshness to the photographic medium. She is not influenced by other photographers or photographic clichés. She is not worried about whether a photograph constitutes art. She does not know the rule of thirds, rule of odds, color theory, and the like. Thus, from her, I get ideas for photographs I would have never come up with, such as an acorn squash wearing a tinfoil hat.

These photographs are part of a series called "Character Study" and it attempts to explore different thoughts and moments describing my character, and through this creating a self portrait.

I take pictures of places, people, and situations that I'm drawn by, want to explore, show and talk about (through images), or simply find interesting, revealing, beautiful or representative of something particular.

“À l'ombre des forêts” is a visual atlas of the relationship between man and nature, which hybridize under the pretext of science, becoming collaborators in a project that cannot be considered completed because it is alive and is destined to evolve daily.

‘When I killed your tulips’ explores the archaeological notion of the social biography of objects.

This work is a continuation of a series I began in 2020, Emotional Algorithm. This work is an exploration of how I orient myself in time and space, both physically and mentally.

"The Process of C" is a project that proposes an intimate analysis regarding the way in which the fear of leaving one’s comfort zone is faced and facing present events and the frightening uncertainty of the future, rediscovering new spaces with different introspection and awareness.

New Ukrainian Values is an on-going project that has gained its life due to the russian aggression against Ukraine and has opened many eyes on what's really important in our short and absolutely unpredictable lives.

Ever since I can remember myself I had the recurring feeling of wanting to disappear, to vanish, to escape. When I was younger, I was trying to escape social norms and any kind of systemic structures. Later on, this feeling took the form of the spiritual quest, trying to dissolve the mind in awareness through meditation and self-inquiry. Photography has been my constant companion in these disappearing acts on a daily basis

I live in São Paulo a city of over 12 million people that is known to be a grey city due to its lack of colours in its buildings and urban art.

The feeling I get from an unexpected perspective is what I also hope to offer with my images if possible. Instead of seeking cohesion in my work, I prefer to keep the compass spinning.

What was the Hungary my parents grew up in like? Cruel compared to the West, humane compared to its neighbours, absurd from today's perspective, and somehow charming when seen in old pictures.

What is a landscape?