The Russian North is an endless snow-white napkin, crumpled with hills of Khibiny mountains and giant snowdrifts. The treeless landscape here makes everything flat and all human manifestations seem to strive to overcome this flatness: striped pipes of factories soaring up into the sky, Soviet «copy-paste» apartment blocks and power line towers stick out of the ground, as if the rest of the map is still rendering.

"When I'm old I want to be like that." talks about optimism, enthusiasm, enjoyment, doing the things you've always wanted to do and that it's never too late, even when you're 80 years old and your strength is failing. This project speaks of the fact that old age can be a new youth.

What changes do you see when you take an ordinary object that no one remembers and turn it into a photograph? I began photographing while thinking about this question. This is an accumulation of experimental daily live broadcasts.

A Peoples’ identity processes are reaffirmed through the assimilation of its history and culture. As a Valencian I have always felt restless; I have the feeling of not belonging to this land despite feeling very close to it.

Tre Mesi is a photographic project developed in southern Italy, between the provinces of Naples, Salerno and Caserta. The reason I took these images was a need to marvel at everyday life, far from stereotypical creativity, straddling the line between physical travel and inner exploration.

“This is a collection of photos I've loosely been calling "Anxiety and Other Contemporary Feelings" It's exploring the general state of anxiety, exhaustion, and release the world has been exhibiting over the past 2-3 years through literal and conceptual photos”

The photographs in Disorder by Borja Ballbé are a powerful account of reality, interpreted through loneliness, depression and anxiety. In the book, Borja Ballbé draws inspiration from the great American road photographers, like Walker Evans, Robert Frank, Stephen Shore or, their contemporary counterpart, Alec Soth.

Yannis Konstantinos’ photographs deal with the ongoing narcissification of individuals in society and the resulting detachment from the inexplicable, Other.

Rose Clements’ Renaissance is a grasp at hope in the midst of a difficult year.

Maarten Vromans explores the impact that people, nature, and weather have on urban development in Dutch cities.

In a Modern Decameron, Carmen Colombo is a visual storyteller of days spent together with her friends in the Peloponnese countryside.