An accidental injury to my left cornea left me unable to keep both eyes open for more than two weeks. During this brief but intense period, I had to keep my eyes shut to ease the pain, rendering my glasses useless.

When I began working on this project, I didn’t realize that photographing my home was, in many ways, to become closer to my family, while also confronting the loneliness I often felt in their presence.

“The tavern, the pub was the defining and fundamental venue of provincial life for a long time. The pub was the place where the laborers threw back the cheapest kind of shots at dawn in order to gain strength for the daily sweat…”

Paris is elusive chaos. After living in Tokyo for over 20 years, this city seemed new and complex to me. For the past two years, I have lived in the suburbs and have always looked at the city as an outsider.

‘Neither Here Nor There’ is a visual diary, a personal journey, and a recollection of thoughts that lingers on a moment of restlessness and the feeling of being endlessly s swept away by the current, drifting back and forth without ever reaching the shore.

“Empty Spain” is a term coined by Sergio del Molino in his 2019 book of the same name. The name has since entered everyday vocabulary to describe those areas of the Iberian Peninsula where population density can, in some cases, be comparable to that of Lapland. 

Tomislav Marcijuš’s series titled Our Embrace Will Be Long Like the Waiting follows a personal, universal story of family and loss, and belonging.

"Beneath the Surface" is a photographic odyssey exploring the transient yet eternal dialogue between time and nature.

The area, referred to by locals as the Zone of Fear, is a stretch of land adjacent to the line of contact between Georgia and the so-called South Ossetia. Those who live there face continuous risks of kidnapping, harassment, or robbery by Russian border guards stationed in significant numbers along the line of contact.

In this intimate and layered series, I blur the lines between the inanimate and the existing, seeking alternative perspectives as gateways to connect both worlds. By questioning the visual logic of my environment, I aim to reveal unexpected renditions of it.

In Icelandic, the term “á landinu” literally means “on the land”. As a foreigner who is drawn to Iceland’s natural beauty, people and culture I sense a hidden subtext behind the term. I once heard an Icelander at the airport use it to ask if a friend had landed; were they “on the land”?

"Jasmine" is a photographic project that blends old family archives of photographs and notes with my own contemporary work. Through this visual exploration, the project delves into inherited traumas, focusing on my mother's familial history and its profound influence on my own life.

Starting from a single event, things branch out like the limbs of a tree, and the world that I perceive is constructed. Because I can only grasp the reality of the world through myself, it was necessary for me to spend time engaging with the poetry of the work I create…

“Montreal's answer to the corner shops, Bodegas or milk bars, these unassuming shops are more than just convenience stores; they are the pulse of their neighbourhoods…”

Mesmerizing Glow is my passion project, which shows that much of what we consider "real" or "natural" depends on our own perception and interpretation.

I dream of an edible burden. One that could be bitten, salivated over, swallowed. But alas, none of the cakes I eat can dissolve the thickness of the freight I carry…

A Time‘s Horizon is a photographic exploration of Lyngør, Europe’s best-preserved village, home to only 45 residents and entirely car-free.

I like the idea that the objects I capture are only temporal, and doomed to be ruined and eventually go extinct.

Youth is a recurring constant. A kind of dejavu. A temporary disruption in the perception of time. Perhaps an error in processing and storing information.

Ergo Sum is a project of photographs and videos made between Europe and Argentina with different graffiti crews in the bowels of cities.

"Youth" captures the fleeting, vibrant energy of adolescence, set against the backdrop of amusement parks and urban landscapes. These images explore the intersection of innocence and adventure, where structures designed for play become stages for self-discovery.

I grew up there with cement and tiny fake grass because my father is a hydraulic engineer. I watched my father walking through that shadow and sunlight, looking at the world he made. Humans become the god at a specific moment and space to recreate the nature that can be controlled by them.

On the outskirts of Frankfurt, nestled within an industrial area, lies an enclave that undergoes a quiet transformation every Sunday.

Stemming from a pagan tradition where peasants constructed fires with domestic waste to celebrate the end of winter and seek protection for the new year ahead the tradition has taken a unique turn in the city of Napoli.

Between 2011 and 2013, I documented a group of fashion models from former Soviet countries working in Hong Kong. As a photographer, my work has always focused on exploring the intersection of culture and identity. My project, "HK Top Models," delves into these themes through the experiences of young people from former Soviet countries who come to Hong Kong to pursue modeling.

In "Through the Revolving Door," my photographic project delves into the nuanced accessibility of "semi-public space" within the context of our era's pervasive privatization.

The Sibillini Mountains are rich in narratives closely tied to the figure of the Apennine Sibyl. Prophetess, friend of the people, Madonna, pagan deity, personification of evil—she embodies the place's inherent ambiguity