“As I spun, my movement became unsteady, shifting from side to side, reflecting the difficulty of maintaining equilibrium in a fast-moving, chaotic world. These images capture the internal struggle to remain centered amidst an overwhelming flow of information, constant bad news, and the rapid pace of modern life…”

“That these photographs are personal, even intimate, can’t be denied. But they generalize: if you’re of a certain age or from a certain part of the country, many of them look like they’re pulled from your own life. I can see myself sitting at the table in the collection’s opening image excited by the $5 my great-grandfather always snuck into my hand when he shook it.”

Arctic seasonal transitions are notably intense, defined, and compared to many lower-latitude regions, time feels compressed. This is especially true during spring, summer, and autumn, when the perception of a season’s duration is shorter.

Between July and October 2024 I traveled between the North and the Center of Portugal. Like most travellers, I was looking for something, something elusive and indefinite, impossible to focus on.

For over a year now, I’ve kept this discreet, image-based journal, a slow, attentive practice woven through shifting seasons, quiet hopes, and small catastrophes…

Pink Fish of Insomnia is a long-term photographic project exploring the emotional terrain of disconnection, solitude, and the quiet search for belonging within the modern urban landscape.

This project documents a broader cultural shift among young people in Hungary who are stepping away from capitalist expectations and towards farming and communal living.

An accidental injury to my left cornea left me unable to keep both eyes open for more than two weeks. During this brief but intense period, I had to keep my eyes shut to ease the pain, rendering my glasses useless.

When I began working on this project, I didn’t realize that photographing my home was, in many ways, to become closer to my family, while also confronting the loneliness I often felt in their presence.

“The tavern, the pub was the defining and fundamental venue of provincial life for a long time. The pub was the place where the laborers threw back the cheapest kind of shots at dawn in order to gain strength for the daily sweat…”

Paris is elusive chaos. After living in Tokyo for over 20 years, this city seemed new and complex to me. For the past two years, I have lived in the suburbs and have always looked at the city as an outsider.

‘Neither Here Nor There’ is a visual diary, a personal journey, and a recollection of thoughts that lingers on a moment of restlessness and the feeling of being endlessly s swept away by the current, drifting back and forth without ever reaching the shore.

“Empty Spain” is a term coined by Sergio del Molino in his 2019 book of the same name. The name has since entered everyday vocabulary to describe those areas of the Iberian Peninsula where population density can, in some cases, be comparable to that of Lapland. 

Tomislav Marcijuš’s series titled Our Embrace Will Be Long Like the Waiting follows a personal, universal story of family and loss, and belonging.

"Beneath the Surface" is a photographic odyssey exploring the transient yet eternal dialogue between time and nature.

The area, referred to by locals as the Zone of Fear, is a stretch of land adjacent to the line of contact between Georgia and the so-called South Ossetia. Those who live there face continuous risks of kidnapping, harassment, or robbery by Russian border guards stationed in significant numbers along the line of contact.

In this intimate and layered series, I blur the lines between the inanimate and the existing, seeking alternative perspectives as gateways to connect both worlds. By questioning the visual logic of my environment, I aim to reveal unexpected renditions of it.

In Icelandic, the term “á landinu” literally means “on the land”. As a foreigner who is drawn to Iceland’s natural beauty, people and culture I sense a hidden subtext behind the term. I once heard an Icelander at the airport use it to ask if a friend had landed; were they “on the land”?

"Jasmine" is a photographic project that blends old family archives of photographs and notes with my own contemporary work. Through this visual exploration, the project delves into inherited traumas, focusing on my mother's familial history and its profound influence on my own life.

Starting from a single event, things branch out like the limbs of a tree, and the world that I perceive is constructed. Because I can only grasp the reality of the world through myself, it was necessary for me to spend time engaging with the poetry of the work I create…

“Montreal's answer to the corner shops, Bodegas or milk bars, these unassuming shops are more than just convenience stores; they are the pulse of their neighbourhoods…”

Mesmerizing Glow is my passion project, which shows that much of what we consider "real" or "natural" depends on our own perception and interpretation.

I dream of an edible burden. One that could be bitten, salivated over, swallowed. But alas, none of the cakes I eat can dissolve the thickness of the freight I carry…

A Time‘s Horizon is a photographic exploration of Lyngør, Europe’s best-preserved village, home to only 45 residents and entirely car-free.

I like the idea that the objects I capture are only temporal, and doomed to be ruined and eventually go extinct.

Youth is a recurring constant. A kind of dejavu. A temporary disruption in the perception of time. Perhaps an error in processing and storing information.

Ergo Sum is a project of photographs and videos made between Europe and Argentina with different graffiti crews in the bowels of cities.