In my hometown, the enduring influence of mining on the land is ever-present, from initial growth and subsequent collapse to modern invention and recent developments. Growing up in the shadow of Sutter's Mill and the legacy of the California Gold Rush, I observed how the region’s culture was profoundly shaped by mining and its aftermath.

The whispered sublimity and vivid strangeness of the ordinary emerge through evidence of wear, time, and human attempts at order.

The border towns of Cerbère and Portbou developed around the railway linking France and Spain.

This work explores the worlds and beings of the night, of the hidden. Non-humans as well.

Rather than mapping specific locations, the work constructs a climatic geography. Landscapes blur and converge into a single mental coastline shaped by exposure and instability. The Atlantic is not a backdrop, but an origin — a force that defines light, rhythm, and form.

“Vassal of the Sky” strings together moments from the cities, xiang, and villages along the shores of the East China Sea

Istanbul is a city where the past and present are inseparable. Here, unlike in other cities, its monuments from glorious periods and its grand historical landmarks have not become museums, but rather remain a functional part of daily routine.

Albutiu works with analog photography to explore deep time, the profound time of geological and ecological durations that exceed human perception

In this series, I explore how we create, shape, and interact with the environment around us. I am fascinated by the ways we unconsciously express ourselves through the places we inhabit and the stories that unfold, both visible and implied.

The project draws inspiration from the world of my childhood memories, where the boundaries between reality and imagination dissolve. It reflects on the experience of longing and the search for self-identity, while evoking the memory of childhood playgrounds and ritual

There is no other place in the world that has its own dream for sale. There is no Italian dream or Thai dream or Chilean dream: there is only the American dream. The whole world looks up to this specific dream.

This photographic project was born from the desire to portray a Boa Vista different from what is expected: far from prejudice, close to its essence. It is a visual narrative made of encounters, details, and suspended moments…

I was the eldest daughter in a large family. My childhood unfolded under constant responsibility, and I assumed adult roles early. I vividly recall summer days when we were not allowed outside. Instead of playing in the yard, there was heat and endless chores: helping my mother in the kitchen, cleaning, caring for younger siblings.

I Am Not Here means not being present—and not exclusively—physically. Detachment can lead to a space where the passing of time, light and night, the hours have no meaning

I’ve learned that dialogue between images has more power to subvert their collective meaning than any photograph alone. Like a visual wormhole, I use image association and sequencing to compare and contrast vastly different images

By photographing what we see, we become aware of how unaware we are of ourselves and our surrounding environment. This work explores how the world is made not only of orderly things, but also of everything else around them.

Cities are like living organisms constantly evolving, endlessly reshaping themselves. For an outsider, every city is exotic; every corner holds the promise of an undiscovered narrative.

I often dream about returning to the house where my grandparents lived. I hear the rhythmic sound of the clock, feel the coolness, and finally breathe out. I’m back home.

This photographic series, Silent Beauty, is an intimate journey through unnoticed corners and silent architectures. It is the story of a curtain dancing in the breeze, of shutters that hide stories, and of walls that tell the passage of time through their textures.

This photographic project, entitled "Saltar El Cerco", originates from the personal sensations and emotions tied to my hometown (Zamora).

Snow Cows is a photographic series by Pasadena-based artist Tommy Lei that explores resilience, sanctuary, and belonging. Created at Hickory Hearth Highlands, a family-run farm sanctuary, the work centers on three Highland cows .

When every place seems already seen, framed by media, consumed by algorithms, and flattened by mass tourism. This photographic project looks elsewhere for the essence of travel. Not in iconic destinations or postcard views, but in hotel corridors, rented rooms, unfamiliar laundromats, or windows opening onto undesired landscapes.

“As I spun, my movement became unsteady, shifting from side to side, reflecting the difficulty of maintaining equilibrium in a fast-moving, chaotic world. These images capture the internal struggle to remain centered amidst an overwhelming flow of information, constant bad news, and the rapid pace of modern life…”

“That these photographs are personal, even intimate, can’t be denied. But they generalize: if you’re of a certain age or from a certain part of the country, many of them look like they’re pulled from your own life. I can see myself sitting at the table in the collection’s opening image excited by the $5 my great-grandfather always snuck into my hand when he shook it.”

Arctic seasonal transitions are notably intense, defined, and compared to many lower-latitude regions, time feels compressed. This is especially true during spring, summer, and autumn, when the perception of a season’s duration is shorter.